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Sarah Mclachlan Solace Rock Music CD Review

Solace is the latest release from Rock Star Sarah McLachlan, and is another winner from this talented musician.

The CD opens with a great track, Drawn To The Rhythm, that I suspect will be heard on radio stations everywhere, and deservedly so. It’s a really nice track.

Solace has a pleasantly varied, mix of 11 tracks that are very well written songs by this clearly talented artist. With many of the songs displaying a lot of the kind emotion that makes for a really great listen. Clearly drawing from what I can only imagine are her own personal experiences. At different points touching on the most real emotions like love, heartbreak, pain, failed relationships and unattainable romance. They’re all here.

If you're even mildly into Rock music you'll enjoy this CD. Overall Solace is an outstanding release. I give it my double thumbs up. You will not be disappointed with one single track.

While this entire CD is really very good the truly standout tunes are track 2 - Into The Fire, track 4 - I Will Not Forget You, and track 11 - Wear Your Love Like Heaven.

My Bonus Pick, and the one that got Sore [...as in "Stuck On REpeat"] is track 1 - Drawn To The Rhythm. It’s a great track!

Solace Release Notes:

Sarah McLachlan originally released Solace on January 28, 1992 on the Arista Records label.

CD Track List Follows:

1. Drawn To The Rhythm 2. Into The Fire 3. Path Of Thorns, The (Terms) 4. I Will Not Forget You 5. Lost 6. Back Door Man 7. Shelter 8. Black 9. Home 10. Mercy 11. Wear Your Love Like Heaven

Personnel: Sarah McLachlan (vocals, acoustic guitar, piano); Leo Nocentelli (guitar); Bill Dillon (guitar, billatron, mandolin, guitorgan); Deni Bonet (violin, viola); Peter "Harpy" Conway (harmonica); Pierre Marchand (keyboards, organ, electric guitar, percussion); Alan Geveart, Jocelyne Lanois, Hugh MacMillan (bass); Daryl Exnicious (bass, background vocals); Ash Sood, Paul Brennan (drums); Ronald Jones (drums, tambourine); Michel Dupirre (percussion).

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Sarah McLachlan (Surfacing) Music Poster Print - 24x36 Sarah McLachlan (Surfacing) Music Poster Print - 24x36
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Solace Solace
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Solace, Nova Scotian Sarah McLachlan's second album, is considerably more mature and musically sophisticated than her 1988 debut, the promising if limited Touch. In fact, this disc is a must-have for McLachlan fans whose first encounter with her work was with her extremely popular later releases, Fumbling Towards Ecstasy and Surfacing...

Solace/Surfacing Solace/Surfacing
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Solace Solace
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Average Rating:

Solace, Nova Scotian Sarah McLachlan's second album, is considerably more mature and musically sophisticated than her 1988 debut, the promising if limited Touch. In fact, this disc is a must-have for McLachlan fans whose first encounter with her work was with her extremely popular later releases, Fumbling Towards Ecstasy and Surfacing...

Sarah McLachlan Albums: Afterglow, Surfacing, Fumbling Towards Ecstasy, Wintersong, Closer: The Best of Sarah McLachlan, Touch, Solace Sarah McLachlan Albums: Afterglow, Surfacing, Fumbling Towards Ecstasy, Wintersong, Closer: The Best of Sarah McLachlan, Touch, Solace
List Price: CDN$ 21.10
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Solace


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Solace is at once comforting, mysterious, expansive, timeless, and familiar. The sophomore jinx was certainly eluded here, as McLachlan sets forth a superior collection of songs and performances with the help of longtime producer Pierre Marchand. The opening track, "Drawn to the Rhythm," serves its title well and does the job of luring you in. Intelligent, intriguing lyrics and lilting melodies abound, whether amidst the pulsing rhythms of "Into the Fire" and "Back Door Man" or the quietly profound stories of "Home" and "Shelter." Although pretty much all of the tunes will grab you at one point or another, "The Path of Thorns (Terms)" and "I Will Not Forget You" are especially memorable, the latter not to be confused with McLachlan's "I Will Remember You," which appears on the 1995 soundtrack for The Brothers McMullen. Solace is a wonderful record that offers a glimpse of the astounding talent of a young Sarah McLachlan. ~ Kelly McCartney, All Music GuidePerformers: Bill Dillon - Billatron, Guitar, Guitar (12 String), Guitar (Acoustic), Guitar (Electric), Guitar (Steel), Mandolin, Pedal Steel; Deni Bonet - Viola, Violin; Peter Conway - Harmonica; Paul Brennan - Drums; Michel Dupire - Percussion; Michel Dupirre - Percussion; Daryl Exnicious - Bass, Vocals (Background); Alan Gevaert - Bass; Ronald Jones - Drums, Tambourine; Jocelyne Lanois - Bass; Hugh MacMillan - Bass; Pierre Marchand - Bass, Guitar (Electric), Keyboards, Mandolin, Organ, Percussion; Sarah McLachlan - Guitar, Guitar (Acoustic), Piano, Vocals;

Sarah McLachlan - Touch


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Personnel: Sarah McLachlan (vocals, guitar, piano, keyboards); Darren Phillips (drums, keyboards, percussion); Dave Kershaw (bass, background vocals); Stephen Nikleva (electric guitar); Ross Hales (drums); Sherri Leigh (percussion); Greg Reely (drums, percussion); Jeff Krosse (bass, background vocals); Tippi, Steve, Rudy (percussion); Naomi McLeod (background vocals).Recorded at Limited Vision Studios, Mushroom Studios, and Lions Gate Studios, Vancouver, British Columbia.A largely forgotten album in the wake of Sarah McLachlan`s mainstream success, Touch was the first album anyone heard from the singer. Only 19 at the time, McLachlan had years to go before she would become the seductive songstress of Fumbling Towards Ecstacy or the sensitive balladeer of Surfacing. Instead, she has more of an ethereal sound, enhanced by keyboards and a lush production that gives it a polished feel. Bringing to mind the `80s incarnations of both Peter Gabriel and Kate Bush, the songs here are moody pop tracks that showcase her incredible range more than anything else. A few tracks, especially "Vox" and "Steaming," are beautiful tracks that have a light sense of yearning that she would later develop into the sensual crooning of her mid-`90s work. And "Ben`s Song," a piano ballad, would go on to be included in her live shows long after the other tracks from this album disappeared from them. But Touch is vastly different from the rest of her material (save for maybe a few tracks on Solace), making it a surprise to most curious fans. Her performance is the point where this is most obvious, as her gorgeous voice lacks most of the personality and emotion that she would later develop. But the material isn`t bad, just uncharacteristic of the rest of her career. Some fans might be disappointed by the copious amounts of keyboards and McLachlan`s restrained performance, but Touch is still a winner. Just a flawed winner, coming from a talented artist who was still searching for her artistic voice. ~ Bradley Torreano Copyright (C) Muze Inc. 2005. For personal use only. All rights reserved.

Closer: The Best Of Sarah Mclachlan


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Sarah McLachlan - Remixed [2003 Arista]


Sarah McLachlan - Remixed [2003 Arista]


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Personnel includes: Sarah McLachlan (vocals).Producers include: Pierre Marchand, Delerium, David Christophere, Mike Truman, DJ Tiesto.Although Sarah McLachlan`s ethereal pop already featured the occasional techno flourish, REMIXED applies an arsenal of electronica to the Canadian singer/songwriter`s tunes. Here McLachlan`s "Fear" gets layered with distorted beats, while "Sweet Surrender" is given the house treatment, replete with the genre`s signature keyboard-heavy backing. Club superstar BT contributes pulse-driven mixes of "I Love You" and "Hold On," and producer William Orbit offers up a moody, dynamic take on "Black." Amidst all of the tinkering, however, McLachlan`s powerful voice is the consistent thread. Longtime McLachlan fans will be pleased to note that five out of the collection`s nine tracks are based on songs from FUMBLING TOWARDS ECSTASY and SOLACE. Meanwhile, those seeking a club-hopper`s fix of danceable rhythms will find plenty as well. Copyright (C) Muze Inc. 2005. For personal use only. All rights reserved.

Sarah Mclachlan- Black

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