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Can you write an amusing story ,just 4 fun,that includes 5 of these lines?

1. Dramatic, moody and very unpredictable.
2. Blue eyes.......... very clear and penetrating.
3. Where in tarnation is my __________?
4. I am NOT cranky. I simply don't enjoy your moronic sense of humor.
5. I'm your huckleberry.
6. That's the great thing About You, sweetheart. You remember EVERY freakin' thing I say.
7. You ain't seen NUTTIN', yet!! 8. Oh, you must be from New York.
9.He's got BAAAAAAAAAD, karma,dude!
10. My heart is breaking. Can you hear it?

X 1. Dramatic, moody and very unpredictable.
X 2. Blue eyes... very clear and penetrating.
X 3. Where in tarnation is my __________?
X 4. I am NOT cranky. I simply don't enjoy your moronic sense of humor.
5. I'm your huckleberry.
X 6. That's the great thing about you, sweetheart. You remember EVERY freakin' thing I say.
X 7. You ain't seen NUTTIN', yet!!
X 8. Oh, you must be from New York.
X 9.He's got BAAAAAAAAAD, karma,dude!
X 10. My heart is breaking. Can you hear it?

I wasn't looking forward to this. I'd pulled into the Bayer's driveway. My feet definitely wanted to be elsewhere, as I walked slowly to the front steps -- the steps that, so long ago, I'd merrily jumped all four just because I could. No jumping today.

I rang the bell.

Mrs. Bayer answered the door. She looked back into the depths of the house. "ANTHEA! EMU IS HERE!" she shouted into the house. Then she turned to me. "She's almost ready, Emu. She's being a bit [1] dramatic, moody and very unpredictable, right at the moment."

"Mom, [3] where in tarnation is my ...? Never mind, I found it!" came Panda's voice distantly from within the house. There was a sound of something getting knocked over, then some feminine cursing.

"Mrs. Bayer, come sit with me out here?" I asked.

Mrs. Bayer looked back, then nodded and came out. "It's been good having her here these months. I'm sure going to miss her." Blue eyes... very clear and penetrating looked at me, as if I'd done something wrong.

I sighed. "Me too."

"You should have proposed," said Mrs. Bayer.

I sighed again. "I never got the impression that Panda wanted me to."

"Men can be so dense!" said Mrs. Bayer.

I was saved from having to reply. Panda came out the door lugging a suitcase on wheels. "Don't just sit there, Emu, go get the rest!"

"I was getting rest just fine out here," I said, getting to my feet.

Panda frowned. "[4] I am NOT cranky. I simply don't enjoy your moronic sense of humor, at least not now."

Soon, too soon, my little car was loaded up with Panda's luggage, then Panda was hugging her mother.

Panda and I got into my car. I waved bye-bye to Mrs. Bayer, and we were off.

I merged aggressively onto the freeway. Panda gasped as I cut off an 18-wheeler which blared its horn in protest. "[8] Oh, you must be from New York, driving like that?"

I replied, "[7] You ain't seen NUTTIN', yet!! I spent too many years ridin' a motorcycle, and the motorcycle instincts just don't go away."

"I've heard you say that before," she answered.

"[6] That's the great thing about you, sweetheart. You remember EVERY freakin' thing I say," I let some of the irritation show in my voice.

Her turn to sigh. "I know you don't want me to get back with my ex-husband in Chicago. We already had that discussion, didn't we? Let's get to the airport in one piece, Emu."

"All right." I slowed to the same speed as the traffic, and used my blinkers to move slowly toward the diamond lane. I thought to myself, "[9] He's got BAAAAAAAAAD karma, dude!" but did not say it out loud.

LAX. Los Angeles International Airport. What a mess. Park, unload, drag luggage around, a hubbub of activity all around us, and me with eyes only for the girl who was leaving on a jet plane. Girl? 48, almost 49. Somehow, though, I saw the slender teen I'd known years and years ago, the little sister of my girlfriend. Little sister don't you!

No words passed between us, as she checked her luggage, bought her ticket.

Soon, too soon, we were at the second security checkpoint, where I could not follow. Then her arms were around me, and her lips soft on my cheek. "Goodbye, Emu," she said simply.

"Goodbye."

She got in line.

I waved. I whispered, not loud enough for her to hear in the noise of the airport, "[10] My heart is breaking. Can you hear it?"

Other related products:

The Moody Blues - This Is The Moody Blues $16.65 This includes a 12 page full color booklet with historical information and photos.It might surprise those coming in late to their story that the original double-LP version of this album from 1974 was the first compilation devoted to the Moody Blues` work. That`s seven years after their switch from R&B-based British Invasion rock & roll to psychedelic music, and ten years into their overall history, an awfully long time for a successful band to avoid the compilation route. That fact alone speaks volumes for how healthy their album sales were -- only the group`s decision to take a hiatus seems to have prompted the assembling of this collection. The Moody Blues had actually had enough hits and charting singles between England and America since 1967 so that a good best-of could have been assembled, but the makers went far beyond that, encompassing LP tracks that had become favorites on FM radio between 1967 and 1973 and also ignoring the actual release order of anything here. So instead of a tour through their history, listeners get a kind of collage of most of their best work, the songs nicely representative of the various members` most important contributions to the group`s work. That said, however, it should also be pointed out that so much of the band`s music is connected, conceptually and thematically, with the surrounding songs on their albums that inevitably the listener will feel rushed through some of this history; additionally, there is one excellent number left off for every three that are included. The CD reissue was impressive sonically for its recompiled and remastered tape sources, and the new annotation by digital producer John Tracy was a good bonus feature. To some degree, this collection has been supplanted by the more fully programmed double-CD Gold collection from 2005. Unless all you`re looking for is an overview of the group`s classic years, in which case one can add a half-star to the rating of This Is the Moody Blues. ~ Bruce Eder Copyright (C) Muze Inc. 2005. For personal use only. All rights reserved.

Moody Blues $12.99 Members of The Moody Blues, classic rock legends and others tell the remarkable story of the band from the swinging '60s to the present day in this definitive DVD documentary.Their story is one of magic and musical mastery that changed the face of rock music forever. Beginning as an early Birmingham R&B group, The Moody Blues have evolved over the decades in both personnel and musical style to become one of the world's most successful and longest running bands. Their classic albums including Days of Future Passed and timeless hits such as Nights in White Satin and Go Now are featured in this fascinating, fully-authorised documentary. Through exclusive interviews from current band members Justin Hayward, John Lodge and Graeme Edge, and new extremely rare interviews with former members Mike Pinder, Denny Laine and their contemporaries, we trace the rich and colourful story of the music of The Moody Blues, something never before told so thoroughly or with such insight. As they enter their fifth decade, The Moody Blues continue to play sell out world wide tours, bringing their music legacy to a legion of fans comprised of their original listeners' children's children's children.3-disc set includes: Exclusive new interviews with the band members, rare and unseen photographs, previously unreleased archival footage and rare and unseen promos. Bonus audio CD features 9 tracks: It's Cold Outside, I'll Show My Love is True, Down the Line, Dr. Feelgood, Blues Stay Away From Me, Forever and a Day, You Better Move On, Lose Your Money (demo), and London is Behind Me. 20-page full color booklet also included!

The Moody Blues - The Best Of The Moody Blues $10.63 THE BEST OF THE MOODY BLUES contains vintage photographs and a conversation with Justin Hayward.Producers include: Tony Clarke, 10cc, Jeff Wayne, Pip Williams, Tony Visconti.Compilation producer: Dorian Wathen.Engineers include: Tony Visconti.Recorded between 1964 and 1988. Includes liner notes by John Reed.All tracks have been digitally remastered.Audio Mixer: Tony Visconti.Liner Note Author: John Reed.By keeping it simple and sticking to the hits, this collection successfully relates the story of this pioneering band. The Moody Blues began as a Gerry & the Pacemakers-like, R&B-influenced band fronted by sad-voiced singer Denny Laine, who is heard here on "Go Now." Laine was replaced by Justin Hayward, keyboardist Mike Pinder brought in a Mellotron, and the band hooked up with the London Symphony Orchestra to make the first orchestral-rock album DAYS OF FUTURE PASSED, from which "Tuesday Afternoon" and "Nights in White Satin" are included on this album.Over the next few years the band banged out several gem albums that were full of a distinctive mix of folk-tinged ballads and ambitious prog-rock. Cuts from this period take up a healthy piece of this collection. After a lengthy sabbatical, the Moodies made a comeback in 1981, and with an updated sound (more synth, less Mellotron) the hits began anew. The last section of this album features the songs that brought the Moody Blues back to life. THE BEST OF THE MOODY BLUES is a definitive and accurate portrait of the group, and a good place for neophytes to begin. Copyright (C) Muze Inc. 2005. For personal use only. All rights reserved.

This Is the Moody Blues $24.98 It might surprise those coming in late to their story that the original double-LP version of this album from 1974 was the first compilation devoted to the Moody Blues' work. That's seven years after their switch from R&B-based British Invasion rock & roll to psychedelic music, and ten years into their overall history, an awfully long time for a successful band to avoid the compilation route. That fact alone speaks volumes for how healthy their album sales were -- only the group's decision to take a hiatus seems to have prompted the assembling of this collection. The Moody Blues had actually had enough hits and charting singles between England and America since 1967 so that a good best-of could have been assembled, but the makers went far beyond that, encompassing LP tracks that had become favorites on FM radio between 1967 and 1973 and also ignoring the actual release order of anything here. So instead of a tour through their history, listeners get a kind of collage of most of their best work, the songs nicely representative of the various members' most important contributions to the group's work. That said, however, it should also be pointed out that so much of the band's music is connected, conceptually and thematically, with the surrounding songs on their albums that inevitably the listener will feel rushed through some of this history; additionally, there is one excellent number left off for every three that are included. The CD reissue was impressive sonically for its recompiled and remastered tape sources, and the new annotation by digital producer John Tracy was a good bonus feature. To some degree, this collection has been supplanted by the more fully programmed double-CD Gold collection from 2005. Unless all you're looking for is an overview of the group's classic years, in which case one can add a half-star to the rating of This Is the Moody Blues. ~ Bruce Eder, All Music GuidePerformers: Graeme Edge - Drums; Justin Hayward - Guitar, Vocals; John Lodge - Bass, Guitar, Vocals; Michael Pinder - Keyboards, Vocals; Ray Thomas - Bass, Flute, Vocals

The Moody Blues - The Story In Your Eyes

Posted December 19, 2009 by admin under CD's

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